Pda Technical Report No 29.pdf [BEST]
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This film is unreal, because it is an unusual set of people at work doing a job which is unconventional. And watching someone who is not the regular everyday Indian tourist type of traveler come to a place and experience things, makes it more interesting. They are a team of 18 people and lead by director Alain Guillo (a French producer of this movie) and producer Thierry Breton (he is of Indian origin italien born). The film was a step forward in the direction of the Bollywood films which had a hero/heroine of a certain nationality and a heroine/hero of an other nationality.
In the unlikely region of India, there are no end of serious people who are trying to find some good financial money, for themselves. And all these oh so serious people are seen here in the movie! They are just hired to be in the film, but their posturing in asking if they were meant to be there, and saying god said so. By the way god said so is their polite way of saying, they were as equals.
The primary scenery of Paris is seen through the vision of these two Indians, who are making a documentary film on the different Paris lampposts. In the beginning they explore the Indo-Grecian aspect of the lampposts, their gods and goddesses and the history through friezes, inscriptions and ancient texts. The effigies are clearly the Hindu god and goddesses, and non Indian looking people seem to be portraying Hindus in the period. By the end of the movie, they undertake a similar exploration of the Paris street and lampposts in which the figures are clearly French, for it is through their eyes.
One of the best things about this movie, is that it does not fall into the trap of making fun of any person or people. There are not any racial slurs, in fact none of any sort. Its have a balance of people who are staid and not very involved, high school level, but then you see sophisticated people, and you are glad things are not as simple as that. d2c66b5586
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